Topology

     After finishing our sculpts we were required to create a paint layer over them displaying our understanding of Topology. To give myself a decent understanding and further what I had learnt within our group session I found the information in the following post to be particularly helpful. - http://www.polycount.com/forum/showthread.php?t=80005
 





        What I understand now about topology is that, as a general rule, the intention is to avoid the inclusion of triangles, primarily because they tend not to deform well which becomes problematic should you wish to animate your sculpture. Instead one would try to keep the shapes as quads, however this can be difficult when the contours of the face start splaying off in different directions. At this point you may include "5poles". This is where the edges of five quads meet to form a polygon cluster (These are highlighted on the picture above). Whilst they can also be detrimental to animation, this tends to be less so than with triangles.
     Armed with this knowledge I then attempted to draw out the Topology on my own sculpture.

    Result: He looks like a Mickey Rourke/ Spiderman hybrid. Using the website as a guide I did my best to keep the 5poles to a minimum and within the areas they would be least inconvenient. I did not enjoy this exercise.

Mickey Finished

     The time has come. I have finally got my scuplture to (roughly) where I want it. Witness for yourselves..

     I am pretty happy with my progress in this area, particularly seeing as it is my first time using Mudbox- and I feel as though I have at least achieved a reasonable likeness. As mentioned in my earlier posts I did find the eyes a struggle so this is something I will focus on practising for the future; however I really enjoyed using the program so I am more than happy to do this. Whilst playing around with different features in my free time I also learned how to give the sculpts joints, and therefore intead to start creating 3D sculpts of characters I have been creating/drawing in my own time.

     Another aspect I didnt explore too much this time round but would like to become familiar with in the future is various methods of texturing/colouring the surface so as to create a truly realistic effect.

Progress Update- Just Like I Promised

     I spent more time today working on my jump cycle, as well as going over my walk and run cycle with the intention of finishing off my animation work for this project.

     Here you can see my stages of progress from last night's work, to my updated version today where I have integrated the rest of the arm movement. I used the following video throughout this cycle as a reference to help me get it right. http://www.youtube.com/watch?v=HywvTf5uVbs&feature=relmfu

     Out of all the cycles I found the jump in particular to be the hardest when it came to creating something that was both realistic, and representative of my original idea. Saying this, I have still very much enjoyed the animation part of this project and will therefore be dedicating my own time, after our hand in date, to work on my progress in Maya, starting with jump animations. (I would particularly like to try the somersault again.) Something else that has been highlighted through my work in animation is the importance of a good understanding of antomy and how things move. This makes it unquestionably easier when it comes to recognising visual descrepancies in your work, and suggests that regular life drawing sessions will definately improve future work.

I can see clearly now

     I spent more time than I should have in the last couple of days trying to get the eyes right on my Mudbox sculpture

     As you can tell form the picture it is still not going great. I bring you this not so much as a progress report but more a prewarning that it may well go pear shaped.

Tweaking and Jumping

     I had another attempt with the animating in Maya. My first task was to tweak the walk cycle, adding additional hip, head movement etc. for a more realistic effect. I also edited the foot controls making sure they were flush with the ground whilst the chacter's foot is in contact. The picture below shows me going through this process- not that you can really tell. Still...It's the thought that counts.

      I then proceded to work on the jump cycle. In terms of progress this has been something of a mixed bag and there have been multiple failed attempts.

- http://www.youtube.com/watch?v=Zc0m4GxSK2A   I tried to do something different to begin with and went for a backwards somersault. This was actually going pretty well whilst I was focusing on just the legs, once I started moving the arms however they started adjusting inbetween keyframes in a corkscrew style manner, which was somehow not fitting. My next attempt was a much simpler forward jump however, perhaps partly due to my inability to source a half decent reference, my attempt looked very jarring and unconvincing, to the point that I considered it would be more time efficient to start from scratch. I am now in the process of working on the new version. It is, thus far, much more successful then the previous attempts but not yet finished. Progress update to come tomorrow.

Hungry Eyes

     These are Mickey Rourke's eyes. There are many like them but these are his. Without him his eyes are useless. Without his eyes he is useless...
     In general I feel like I have taken to Mudbox pretty well, and considering this is my first ever use of it I think I am making good fast progress. The one area I am significantly struggling with is sculpting the eyes. The reference picture I am using has many creases and folds around the eyes which is probably not helping. I have begun looking for tutorials that will help me in this area. This is the best I have come up with- http://eat3d.com/free/mudbox_head
     At this point I will just have to persevere with it and keep trialling methods untill I get it right.

Mickey Rourke's Face

     As promised I spent a good week making full use of the Uni facilities to sculpt my mudbox character. At this point however my new computer has arrived so I also have the option of working on it at home now. This is the point I managed to get to within my college sessions

     The blue marks within the image shows where areas have been "frozen" in order to retain their likeness.

     The image above is what I have chosen to use for my reference pic. I chose a mugshot photo so as to give myself a decent front and side profile. I chose to sculpt the actor Mickey Rourke. The upside to this is that I have watched several of Rourke's films and should therefore be reasonably familiar with his appearance. The downside is that Mickey's face happens to be a vast collection of botched plastic surgery and severe facial trauma from  his boxing days, not completely unlike the aesthetic style one might expect were they to take a pack of bacon and mercilessly beat it for a good half hour using a crowbar and a rubber mallet. That said it made the task interesting to say the least. I had to also be aware that there is very little symmetry in his face, and therefore using the symmetry tool in Mudbox was largely not appropriate.